- Not to be confused with scoring five kills in quick succession.
In-game, a pentakill is a distinguished achievement of single-handedly killing all enemy champions in short succession. The result of performing this feat tends to result with the enemy team being defenseless for a short while, which is especially critical if the enemy's base has been invaded. Thus, the name holds much significance, fitting for Runeterra's greatest rock band.
In a world where heavy metal reigns supreme, PENTAKILL are the undisputed masters of melting the face right off your head. Six, members, two penta-platnum albums, and the chrome fisted fury of the Gods themselves. It's time to rock!
|Pentakill Karthus||Pentakill Kayle||Pentakill Mordekaiser||Pentakill Olaf||Pentakill Yorick||Pentakill Sona|
- Lead singer of heavy-metal sensation PENTAKILL, Karthus sings in the voice of a fallen angel made of freshly polished chrome and dynamite that eats other dynamite. His vocals explode the sun in the sky, igniting the flame of metal within the hearts of all who hear.
- When PENTAKILL needed a female vocalist, the heavens parted and a literal angel of rock fell to earth, taking up her sword-mic for the eternal glory of heavy metal.
- PENTAKILL's gigantic lead guitarist - and a titan of the old world - Mordekaiser rocks with the fury of an epoch lost to time. Bigger than a two-story house, his guitar overflows with heavy metal licks rebuking the gods themselves.
- Good drummers have rhythm, huge body counts, and are accursed vikings with an insatiable desire to kill. PENTAKILL's Olaf is a very, very good drummer.
- Never tell Sona of PENTAKILL that keyboards aren't metal. Her instrument is filled with living barbed wire and a sonic scream loud enough to bring other, lesser musical genres crashing to their knees.
When a mountain fell on Mordekaiser, he took it as a sign from the Gods of Metal that his demonically-ordained task to bring metal to the masses was done, that he had achieved full metal. He knew he would one day be reborn, but as time passed, his wait became a slumber. The crushing mountain was an evil peak of black metal and cursed rock. Upon its highest summit, the gleaming, obsidian haft of a snarling axe protruded from the rock. Legends grew around this cursed place, legends that foretold whosoever drew the axe from the mountain would be the true herald of a new age of metal.
A prodigal guitarist just minutes after his birth, Shuriman crypt. But as Mordekaiser grasped the instrument's neck for the first time, it too grasped him, filling him with murderous intent and driving his headbanging instincts harder and heavier than they'd ever been before. Mordekaiser emerged from the crypt a changed man, and as he returned to civilization, his antics took a turn for the violent. One fateful band practice, power became too much - Mordekaiser turned berserk, murdering his bandmates, including their up-and-coming singer, .spent his formative years mastering the art of metal until he was so adept at shredding that his guitars would wither and combust under his furious fretwork. Desperate to find his instrumental equal, Mordekaiser traveled far and wide in search of a legendary guitar known only as . Both made of metal and made for metal, was known as the indestructible axe, a tool Mordekaiser hoped would withstand his beastly playing. Finally, after years of searching, he found it buried deep within a
Pentakill Karthus was not born, but reborn. A promising metal vocalist in life, the demons of the Shadow Isles saw purpose in Karthus, and after his murder at the hands of Mordekaiser, imbued him with undeath before steeping his voice in the fury of countless lost souls. Karthus resumed singing, earning himself a fearsome reputation after eating a live and gargling gravel during his Shadowstock debut. He set about establishing himself as the Shadow Isles' finest vocalist, but soon grew tired with the lack of local instrumental talent. Remembering Mordekaiser's unmatched playing, Karthus sought passage back to Valoran, and enlisted the help of the only musician Karthus felt was his equal: the bass-playing ferryman, .
Karthus embarked on a solo career in Bilgewater, earning a crust as a hooded reciter of funeral dirges. This had an unexpected health benefit to natives of Bilgewater, as people started looking after themselves rather than have to put their families through such an ordeal. Karthus made a career touring squalid dive bars to sing at the drunken wakes of murdered pirates instead - what with grim dirges being a vast improvement on sea-shanties.
Pentakill Yorick spent his early years on the Shadow Isles torturingand with his pounding bass playing. But as the years passed by, the ghouls started to enjoy the head-rattling virtuoso's playing. Eventually they formed Yorick's hardcore fanbase and followed him throughout the Shadow Isles, earning him the nickname 'Brown Note' thanks to their muddy coloration. After ferrying Karthus back to Valoran, Yorick decided to join him, create a '******* awesome' band, and unleash their terrifying symphony on the unsuspecting living masses.
Thinking he’d try something new, Yorick chose to vacation in the sun-bleached wastes of Shurima. Sunlight was something new to him, something he normally avoided for fear of people recoiling from a face not even a mother could love. His unique bass was the perfect tool to crush the soft rock of Shurima, but often had the side effect of liquefying the sand to a degree where many of the workers excavating distant tombs were buried alive. To many of these unfortunate souls, this was preferable to enduring another moment in the presence of a man who could literally bore rock.
After arriving in Valoran and reuniting with Mordekaiser, the three headbangers scoured the lands, butchering all within ear's reach with their demonic tunes. But they met their match in, who, through years of silence, had attuned her hearing to withstand all manner of metal. Impressed with both her resilience and her ability to tear up her keys while covered in blood, the three offered Sona a place in their band, and thus Pentakill Sona was born. With her in the band, the group's destruction amped up significantly, and soon only the frozen northlands harbored humanity's last stand. The monolithic colossus of metal that is Pentakill was almost complete...
Sona was consumed with the desire to craft soaring symphonic rock operas and tour the grandest temples of the world (and elsewhere) but no acoustics were powerful enough to satisfy her need for the most cosmically resonant sounds. Sona took ship with the doomed crew of the Serpent’s Feast to a series of volcanic islands, and began to sculpt the island with sonic brutality. There she unleashed the music of creation. So powerful were her notes, they travelled between worlds and sank entire continents (indeed, a planned gig in Atlantis had to be cancelled).
Continuing their massacre, the demonic quartet finally reached the frozen wastes of the Freljord. Tribe after tribe fell, the Howling Abyss howled for mercy, and villages were set ablaze until the whole world was ready to burn. Looking for a celebratory drink, the four entered Runeterra's last standing bar, and found it empty save for one man. was not in a sober state, and challenged 'the biggest of yous *****' to an arm wrestle. Yorick stepped up, and the duel began. Legend states that the two were locked in arm-on-arm combat for days, sustaining themselves with whiskey and peanuts. Finally, Karthus, bored of the deadlock, offered Olaf a place in the band. "I'm only good at hitting ****", said Olaf. "Perfect", rasped Karthus, "you shall be our drummer."
After surviving what he believed was to be his final performance, Olaf sought to drink himself to death with the deadliest booze of Runeterra. He ended up in the depths of Zaun, drinking potent sump cocktails, bragging of glory days and daring chem-jacked thugs to take them on. Olaf soon found himself embroiled in underground golem fight-clubs. Up against chem-powered giants, Olaf found his natural talent for pounding drums was also good for pounding mechanical automatons to pieces.
A golden warrior goddess from a strife-torn world, Kayle arrived in Runeterra on the back of a glittering, serpentine dragon. She searches for allies to fight an epic war against the diabolical hordes of her faithless sister. Planet Earth had failed to produce warriors of mettle, so she travelled to Runeterra in search of warriors of metal. Communicating via grand, symphonic metal operas, the depthless sorrow of her arias pierce the hearts of all who hear them. Literally.
You have seen the true voice of metal fall quiet, surrounded by the massed harmonies of your weak whispers. But listen closely to those whispers, and you shall find the seed of truth.
Five Four voices. Five harbingers of destruction, waiting patiently for their time to rise. And on that chosen day, these five shall change your world forever. Sonic brutality has never ascended such heights before. These voices have already slain the and butchered the . They have ravaged the Fields of Justice, burned Runeterra to the ground, and slaughtered millions of . When they come, their breed of metal shall your plebeian souls and punish your frail bodies. You will cower at their visage and tremble at the name... Pentakill.
And Pentakill is coming... for you. Because you have sown, and now you shall reap.
When the sky in the far north of the Freljord grows dark, and warriors gather around the hearthfire embers, they sometimes speak of a deathly night on the ice, of murderous rage unbound. It is a tale only spoken of in hushed, awed whispers. Some claim it is no more than a legend invented to frighten youngsters, others claim that even to speak of it is to invite the return of those metal warriors from their tour of the realms beyond. None lived to tell of this grim night, but sometimes a reckless taleteller speaks of a berserk axeman reaping lives with his axe. They whisper that not even his brothers could restrain his fury. Only by bringing a mountain down upon the metal giant was his rampage halted.
South of Heaven
Accounts of S|L] arrival in Runeterra variously speak of her borne by a fiery comet that split the sky, or straddling the girth of a glittering, serpentine dragon. These are just two of the legends of how Kayle came to walk among mortals. Gleaming in jagged warplate, she was a golden warrior goddess from a strife-torn world in search of allies to fight an epic war against the diabolical hordes of her faithless sister. Planet Earth had failed to produced warriors of mettle, so she travelled to Runeterra in search of warriors of metal. [
So rarefied was Kayle’s divine speech that she could only communicate via grand, symphonic metal operas that told of her plight. The depthless sorrow of these operatic arias pierced the hearts of all who heard them and her listeners were frequently overcome with such overwhelming melancholy that they simply dropped dead at the end of her performance. But since each song was typically many hours long, they had time enough to put their affairs in order before death took them. Yet for all the heart-rending emotion contained in her lyrics, none of her audiences could truly understand the depths of her woes, no one could hear the sorrow of her existence without immediately perishing.
Beneath the Remains
After the disastrous end to their last live performance, where Mordekaiser destroyed the entirety of the Freljordian crowd, Karthus gave the fateful order for Olaf to drum the “Worldsplitter Rhythm” that sundered the land and brought down the icy realm’s highest peak upon Mordekaiser. As the rock of the mountain cascaded down, the band fled to the far corners of Runeterra to escape the wrath of Freljoridan battle queens and the raft of inevitable blood feuds.
S|L] pitched up in Bilgewater, earning a crust as a hooded reciter of funeral dirges. This had an unexpected health benefit to natives of Bilgewater, as people started looking after themselves rather than have to put their families through such an ordeal. So Karthus toured the most squalid and foetid dive bars to sing at the drunken wakes of murdered pirates instead - what with grim dirges being a vast improvement on sea-shanties. A slow descent into madness and obscurity beckoned until the radiant form of Kayle arrived in Bilgewater. [
She heard the depthless well of misery in his despairing lyrics and knew Karthus alone could understand her own sorrow. What followed was a drunken woe-off, a night of debauchery, gothic poetry and operatic singing that saw the men and women of the Slaughter Docks hurl themselves into the monster-filled ocean rather than listen to their maudlin duets. In the aftermath, Karthus and Kayle pledged the Vocalist’s Oath to return stronger than ever. After all, shared woe is better than solitary woe.
Among the Living
The hooded and hunched figure of S|L] headed south from the bloody carnage of the Freljord and did not stop until he reached the sun-bleached wastes of Shurima. Sunlight was something new to Yorick, something he avoided for fear of people recoiling from a face not even a mother could love. He helped excavate the tombs of long-dead emperors, which allowed him to spend a great deal of his time in the darkness underground - something his fellow diggers certainly appreciated. [
His unique bass was the perfect tool to crush the soft rock of Shurima, but often had the side effect of liquefying the sand to a degree where many of the workers excavating the tombs were buried alive. To many of these buried souls, this was preferable to enduring another moment of conversation with a man who could literally bore rock. After being forcibly ejected from dig sites all across Shurima and months spent deep underground with long-dead princes, Yorick decided that he too desired to be buried in the sands.
He dug deep into the bedrock to craft his own shadowed mausoleum, and there he interred himself within a lightless tomb, intending to pass the aeons in splendid isolation. And so Yorick slept beneath the desert until Karthus and Kayle prised open his tomb. The two singers did nothing to disabuse Yorick of the idea that aeons hadpassed and that all who desired him dead were, themselves, now dead.
Let there be Rock
The entombment of Mordekaiser beneath the mountain of Freljord had inspired S|L], and while the other members of the band split to the far corners of Runeterra in despair, she was consumed with the desire to craft soaring, symphonic rock operas. She toured the grandest temples of the world (and beyond), but none of the acoustics were powerful enough to satisfy Sona’s need for the most cosmically resonant sounds. The great glacier temples of the Freljord were now denied her, so Sona took ship with the doomed crew of the Serpent’s Feast to a series of volcanic islands in uncharted waters east of Bilgewater. [
The dread crew swiftly departed as Sona set up her keyboards and began to sculpt the island with sonic brutality. She played the very notes of creation and dragged volcanic islands from the depths as they rained lava to form titanic organ pipes to further magnify Sona’s playing. So powerful were her notes that they travelled between worlds and sank entire continents (a planned gig in Atlantis had to be cancelled). Encircled by mighty volcanoes, Sona set the sky ablaze with hellfire dragged from the heart of the planet. Yet, as awesome as it was, her playing needed more. It needed the demonic wailing of unearthly guitars and the quaking thunder of drums and bass.
Though it went against every instinct he possessed, S|L] did not stay and die under the mountain with Mordekaiser. With Yorick heading south, Olaf’s favourite drinking partner was gone. So, to mourn his survival of what he always believed was to be his final performance, he sought to drink himself to death with the deadliest booze of Runeterra. He found a fellow named Gragas, and ended up in the depths of Zaun with him, drinking potent sump cocktails, bragging of his glory days and daring chem-jacked thugs to take him on. [
He readily found ways in which to ply his trade as a professional hitter of things, and soon found himself embroiled in underground golem fight-clubs. Up against chem-powered golems, Olaf found his natural talent for pounding drums was also good for pounding mechanical giants to pieces. He sought out the most dangerous opponents in fight after fight, eventually falling under the metal hammer of Drago, one of Viktor’s most lethal creations. Just as his foe was about to deliver the deathblow, a piercing wail shattered the crystalline globe containing the golem’s transplanted brain. Bellowing in rage at this denial of death, Olaf surged to his feet, ready to pound again. He found himself face to skull with his old lead singer.
Rust in Peace
When the mountain fell on S|L], he took it as a sign from the Gods of Metal that his demonically-ordained task to bring metal to the masses was done, that he had achieved full Metal. His power chords had so shredded the very fabric of the world that the universe smote him with a mountain. A fitting end to the high priest of metal. [
But Mordekaiser knew he would be reborn, rising from the molten ruins of the fallen peak as the once and future king of metal. But as time passed, his wait became a slumber. The crushing mountain was shunned by those who lived in its dark shadow, an evil peak of black metal and cursed rock. Upon its highest summit, the gleaming, obsidian haft of a snarling axe protruded from the rock. Legends grew around this cursed place, legends telling that whosoever drew the axe from the mountain would be the one to reunite the heralds of a new age of metal.
When the mountain finally shuddered and fell, a brazen god of rock was revealed. As Mordekaiser rose to meet the giant who had drawn the axe from the rock, he saw his old bandmates accompanied by a fiery, hellion-valkyrie from beyond. Karthus held out his axe, its razor strings shivering with anticipation.
Smite and Ignite
- Heavy Metal
The time has come. The era of metal has begun.
After devastating Runeterra with their ear-splitting riffs and ground-pounding rhythms, the metal monolith that is Pentakill has finally reached our shores. and , their debut album, is available now. But Pentakill's not just in your ears, destroying your minds.
Either way, crank the volume up to 11 and get your metal hands ready, because it's time to rock out! \m/
- Production Notes
Grasp of the Undying
- Heavy Metal
The time has come. The era of metal has begun.
After devastating Runeterra with their ear-splitting riffs and ground-pounding rhythms, the metal monolith that is Pentakill has reached our shores for a second coming. 10 new tracks of face-melting metal is available now. But Pentakill's not just in your ears, destroying your minds.
Either way, crank the volume up to 11 and get your metal hands ready, because it's time to rock out! \m/
|From Fire Reborn||20-Jun-2017||1:10|
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